I was looking for that ancient road, A garden at the end the old map showed. You pointed to a new one, shiny and paved, I'd find just what I wanted, everybody raved.
Everybody just keeps dancing around, Movin' steady like an end has been found. The music never stops; we never sleep. I gotta get off, or my soul they'll keep.
For it's a road going nowhere, Circling round my muddled head. I once heard that it went somewhere, But there ain't no off ramp on this track we tread. -The Postmodern Blues
Plot Synopsis and Music Links Music is fully orchestrated with voice parts.
The Garden is a 2.5-hour
epic rock opera of the Biblical meta-narrative. Act I opens with humanity reflecting on
its state of alienation and brokenness and then moves into the main action in
which Lucifer, God's most brilliant angel, leaves heaven, vowing to make war on
the children God is about to create. God,
as three characters (Father, Jesus, and L'Esprit), creates Earth andplaces
Adam and Eve in a paradisaical garden, warning them that death will come if they eat of the
fruit of one of the trees. Lucifer convinces Eve that she will be a goddess if
she eats from the tree, and so she and Adam do--bringing into the world
suffering and death. They must leave the garden, but God promises that he will
help them find their way back. Violence immediately begins to overtake
humanity, and tyrants enslave and oppress them under Lucifer's tutelage. The
people cry out for help and God delivers them, making a covenant with them in
hopes that this will improve the state of affairs on earth. But Lucifer sways
them away and they end up killing God’s messengers. God decides it is time to
fulfill his promise to bring his children home by sending Jesus to earth. Lucifer reproaches
God for his idiocy, warns Jesus that he will hunt him down and kill him, and
declares to humanity that they have no hope.
Act II opens with humanity
reflecting on the frenetic nature of life. The main action resumes with Mary
agreeing to be Jesus' mother on earth. As Lucifer hovers about, Jesus is born, grows
to be a man, and leaves home to begin his work. Lucifer follows him out into
the desert to test him. When Jesus withstands his temptations, Lucifer realizes
he is the one God promised to send and declares that it is now only a matter of
time before he kills him. Jesus goes to humanity to tell them about a new way
of living that is marked with peace and love and freedom. Lucifer hosts a
party to attract those who have started to follow Jesus and convinces
the authorities who hate Jesus to kill him. Jesus shares a last meal with his followers
and then goes off to pray, where he is tormented by Lucifer before being handed
over to the cohort. He is crucified and dies while Lucifer exults in his
apparent triumph. When he is buried, Mary and Eve sing of what Jesus has done
for humanity, and Adam and others sing of their doubt and regret. At dawn,
Jesus comes out from his grave, opening the garden gate and declaring to
Lucifer that his reign of death is over.Jesus invites everyone to walk the path of love that leads to the
garden. He returns through the opened gate to paradise. The dead rejoice and follow
him. The show closes with humanity inviting everyone who is broken or alienated
to join them on the path that leads back to the garden.
Artistic Notes Influences include Pink Floyd (most notably The
Wall as a slightly over-the-top concept album with amazing guitar), Les
Miserables for its dark redemptive beauty, and Moulin Rouge for its
stunning (and, again, over the top) visuals and directing.Of course,Jesus
Christ Superstar must be mentioned. The conceit of the show rises from the
rich soil of those first and fascinating primordial chapters of Genesis and
unfolds into a narrative of the Biblical story of salvation, which is
compelling in its own dark, redemptive beauty. The Garden would share a
book shelf with not only the Bible, but medieval mystery plays and Milton's Paradise
Lost. Lucifer is some mixture of the Snow Miser and Smallville's Lex
Luthor (with great hair). Jesus is an existential rock tenor who might be in a
grunge band. The show is culturally sensitive; playful, yet serious.
All music, lyrics and Web content on this Web site are the sole and exclusive property of the copyright holders. Copyright 2008 Sandra Kruse, James Carrano, and Mike Jadin. Use or reproduciton without permission is forbidden. Photos courtesy of Jason Malinowski. We would like to thank the following for their generosity in recording the demos: Katherine Biskupic, John Breunig, James Carrano, Tiffany Shen-Ping Chang, Wendy Pei-Ju Chu, Ryan Freng, Jason Gantzer, Charles Jadin, Mike Jadin, Caitlin Klein, Matthew Kopetsky, Angela Marie Luther, Kelsey McCarey, Maggie Melchior, Julie Pignotti, Valerie Plaus, Justin Riem, John Shoemaker, and Christine Nicole Treba.